Thinking in Systems Since 1984

When Eileen started the company in 1984, she was working as an interior and graphic designer and had trouble finding clothes. She kept imagining simple, timeless pieces like the kimono, which people have worn for thousands of years. That vision led to her “aha” moment: a system of shapes that worked together to make getting dressed easy.

Today, that systems approach has grown to include the whole life cycle of the clothes, from how they’re made at the outset to what happens after you no longer need them, taking into account the well-being of those involved along the way. That’s why we’re designing a circular system and moving away from the take-make-waste manufacturing model toward one that reuses, replenishes or regenerates the resources involved.

1984

Starting Up

With $350 in the bank in 1984, Eileen launched a line of 4 simple shapes in linen—box-top, crop pant, shell and vest—at the Boutique Show in New York City and got $3,000 in orders. They came in one size. The next season, she expanded the line to 8 shapes in French Terry, taking $40,000 in orders.

1984

Starting Up

Just two years in, Eileen had incorporated the company and, with 4 employees, moved it out of her loft and into an office on East 10th Street in New York City. That same year, the 9th Street boutique opened in New York City, offering samples and factory seconds.

1984

Two For All

With all manufacturing still being done in New York City, the line expanded to two clothing sizes—1 (S/M) and 2 (M/L). Also, the first EILEEN FISHER retail store opened at 521 Madison Avenue. Growth continued the following year as the company headquarters moved to Irvington, NY, and we began making our first silk garments in China, where silk production dates back thousands of years.

1984

Outward Bound

We opened our first retail stores outside New York City, expanding the brand from Massachusetts to Florida, and we offered a Plus collection for the first time.

1984

Black Sheep, Green Garments

We produced the ECO collection—undyed wool sweaters in naturally occurring shades from black sheep, making the color of each sweater a little different.

1984

Brand Awareness

We created our first Social Consciousness position—leading to the launch of our Human Rights program and an ongoing commitment to philanthropy. We also joined Social Accountability International, the leading organization for advancing human rights in the workplace, and adopted SA8000 as the standard for our supply chain.

At our distribution center in Secaucus, New Jersey, a 500-kilowatt solar power system stretches across the roof, producing 75% of the warehouse's electricity needs.

1984

Going Big

The EILEEN FISHER NEW YORK collection debuted with ads featuring Isabella Rossellini. A mix of refined knits and silks, the collection was designed to provide women with a workwear alternative to the kind of power dressing modeled on men’s suits. It was produced for two seasons before being integrated with the main line.

1984

We the People

In response to the impossible beauty standards often presented in fashion campaigns, our ads featured employees photographed by Timothy Greenfield-Sanders with the tagline “Simply to be ourselves.” Greenfield-Sanders photographed employees and real women for multiple campaigns, ending with our 20th anniversary in 2004.

1984

Good Work

To appropriately value the people who make our clothes possible, we signed the Living Wage Proclamation (issued by United for a Fair Economy), indicating our commitment to prioritizing a minimum sufficient income for workers to meet their basic needs, including food, housing and clothing.

1984

We surpassed $100 million in sales.

1984

Who Run The World?

We used our ads as a reminder that “Women Change the World Every Day.” The next year, EILEEN FISHER made the Great Place to Work list as one of the “Best Small & Medium Companies US,” an honor we received for the next 10 years.

1984

Who Run The World?

For our 20th anniversary, we launched our Business Grant Program for Women Entrepreneurs, and established a set of leadership practices aimed at creating the kind of culture we want, thanks to Eileen’s belief that how we work is as important as what we make.

2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.
2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.
2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.
2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.
2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.
2007 grant recipient Jessamyn Rodriguez founded Hot Bread Kitchen, a nonprofit that provides immigrant women and women of color with job training, entrepreneurship support and employment connections in NYC.

1984

Organic. It’s Not Just for Breakfast Anymore.

Organic Cotton Jersey made its appearance in the form of a yoga tank—it was the first of our signature fabrics to include organic fiber.

1984

Introducing the Employee Stock Ownership Program

"It feels right to give a piece of the business to the people who have grown it to what it is now. I could never have done this alone.”

1984

Going Home

Garnet Hill debuted EILEEN FISHER HOME, a collection of bedding and accessories that feature the same quality of fabrics we use for clothing. Our only licensing venture, it would last 14 years.

1984

Love, Peru

We joined Organic Exchange (now called Textile Exchange), and the first fair trade organic cotton knits from Peru appeared on our line. 2006 was also the year Eileen became a member of the Clinton Global Initiative.

1984

Climate Control

We tackled our carbon footprint by beginning to work with NativeEnergy to offset our carbon emissions and renovating our Irvington, NY, headquarters. The redesign of the former industrial building on the Hudson River prioritizes energy efficiency, natural light and recycled materials—and won an AIA award.

1984

Climate Control

The LAB Store opened in Irvington, selling recycled clothing from the newly launched take-back program. We also joined BICEP (Business for Innovative Climate and Energy Policy) to partner with like-minded companies in advocating for renewable energy, clean energy jobs and forest preservation.

1984

Growth Spurt

Our Shoe Collection debuted, at long last making it possible to get dressed from head to toe. That same year, our first international stores opened in Canada and London.

1984

Doing Well by Doing Good

We doubled down on our commitment to fair labor practices by joining the Ethical Trading Initiative, pledging not to use Uzbek cotton while also training our employees and suppliers on human trafficking and slavery. It was the same year we joined the American Sustainable Business Network to help fight for legislation that supports sustainability, equity and justice.

Tourists visit abandoned ships in the dried bed of the Aral Sea, which has all but disappeared due to unsustainable irrigation practices in the Uzbek cotton industry, which also relies on forced labor.

1984

Creativity by Design

The LAB Store opened in Irvington, selling recycled clothing from the newly launched take-back program. We also joined BICEP (Business for Innovative Climate and Energy Policy) to partner with like-minded companies in advocating for renewable energy, clean energy jobs and forest preservation.The Fisher Project launched—intended to push our design boundaries, the capsule was produced for 2 years.

1984

Fashion Firsts. And Seconds.

This was the first year our customers could buy responsibly dyed silk—that’s when our core silks received bluesign® certification for chemical, water and energy use, a first for a fashion company. At the same time, our dedicated used-clothing store quietly opened in Yonkers, NY. One year later we were ready to shout about it, launching the campaign “WE’D LIKE OUR CLOTHES BACK NOW, THANKS VERY MUCH” on Earth Day—all our retail stores began collecting gently worn EILEEN FISHER clothes.

1984

Square Roots

To mark our 30th anniversary, we rolled out the Icons, a collection of the simplest, most enduring shapes in our archives.

The Coat
The Coat
The Box-Top
The Box-Top
The Coat
The Coat
The Box-Top
The Box-Top

1984

Fashion Forward

Working with Canopy, we committed to ensuring that the tree-based fibers in our clothes don’t come from ancient and endangered forests. We also joined the Sustainable Apparel Coalition to help promote transparency and standards for environmental and social impacts in the industry.

1984

No Excuses for Not Trying

The following year, Fashion Group International honored Eileen with its Sustainability Award and Parsons School of Design students Lucy Jones, Teslin Doud and Carmen Gama won the EFxCFDA Social Innovator Award and began a 12-month residency that produced 3 techniques—natural dyeing, felting and resewing—for remaking our old clothes into entirely new designs.

2015 also marked two major milestones: We announced VISION2020, our commitment to use sustainable materials in 100% of our products by 2020, and we became a B Corp, verifying that we voluntarily meet high criteria for social and environmental performance, accountability and transparency.

1984

Where Others See Waste, We See Possibility

We opened the Tiny Factory, where we make new designs with the clothes we take back, in Irvington, NY. Eileen spoke at Fast Company’s Innovation Festival on growing the business by reducing its environmental impact.

1984

Where Others See Waste, We See Possibility

Our take-back program was reborn as Renew (Second Life). 2017 was also the year that Waste No More, which turns damaged clothes into new felted designs (Third Life), debuted at the Salone del Mobile in Milan. In other circular news, Heron Preston apprenticed at the Tiny Factory to observe our take-back and reuse program, while Eileen talked about redesigning fashion at the Copenhagen Fashion Summit.

Foreground: Sibling Series Sister Red I (2017). Background: Neptune (2016). Designed by Sigi Ahl.
Eileen talked about sustainably redefining the fashion industry at the Copenhagen Fashion Summit.
Waste No More exhibited in Ventura Centrale during the 2018 Milan Design Week.
Visitors entered through an archway of crates filled with discarded clothing, a statement about overconsumption.
Inside, the exhibition featured pillows and wallworks needle felted from used clothes that had been brought back by customers.
Foreground: Sibling Series Sister Red I (2017). Background: Neptune (2016). Designed by Sigi Ahl.
Eileen talked about sustainably redefining the fashion industry at the Copenhagen Fashion Summit.
Waste No More exhibited in Ventura Centrale during the 2018 Milan Design Week.
Visitors entered through an archway of crates filled with discarded clothing, a statement about overconsumption.

1984

Shine On

Thanks to the brand’s international reach, Eileen received an Honorary Award at the 69th Annual Parsons Benefit in 2017 for empowering young women on a global scale.

Eileen, Rihanna and Neiman Marcus, represented by Karen Katz, were honored at the Parsons Benefit.

1984

The People We Touch

To further understand the connection between our purchasing practices and the well-being of the people in our supply chain, we signed on to the Harvard SHINE Worker Well-being program, which launched in 2018.

1984

Talking The Talk

Stepping up to the sustainable microphone, Eileen gave the talk “There Are Too Many Clothes in the World” at the Wall Street Journal’s Future of Everything Festival, discussed “Mending the Fashion Industry” with Rose Marcario (former President and CEO of Patagonia) at the Aspen Ideas Festival and talked about sustainability and profitability with Yael Alfolo, CEO and Founder of Reformation, at WWD’s CEO Summit.

1984

Walking The Walk

In 2018, Public School x EILEEN FISHER collaborated on a zero-waste collection made at the Tiny Factory of damaged clothes from our take-back program. This same year, we became one of the first brands to introduce wool certified to the new Responsible Wool Standard, and we completed a renovation of our New York City creative center that received LEED Gold certification.

Public School x EILEEN FISHER silk top, resewn from 5 tops.
Public School x EILEEN FISHER logo hat, felted from recycled garments.
Public School x EILEEN FISHER denim pants, resewn from 7 pairs of jeans.
Public School x EILEEN FISHER color-blocked merino sweater, resewn from 4 sweaters.
Public School x EILEEN FISHER silk top, resewn from 5 tops.
Public School x EILEEN FISHER logo hat, felted from recycled garments.
Public School x EILEEN FISHER denim pants, resewn from 7 pairs of jeans.
Public School x EILEEN FISHER color-blocked merino sweater, resewn from 4 sweaters.

1984

Yesterday & Tomorrow

Eileen appeared on NPR’s “How I Built This” podcast with Guy Raz and received the Positive Change Award from the Council of Fashion Designers of America. After refocusing our giving, we announced the grant winners for our Women in Environmental Justice pilot program, which will define our efforts in the future.

The Women’s Earth & Climate Action Network supports Women for Forests, here advocating in Washington, D.C. to protect Amazonian, Congolese & Alaskan rainforests.
Women’s Environmental & Development Organization is putting money in the hands of women who are leading the fight for gender-just, community-based climate solutions.
Through grant recipient Alaska Community Action on Toxics, indigenous women are stepping up to make the critical connection between climate change and public health.
The CLEO Institute gave 200 Miami-Dade women a crash course on climate science, civics, public speaking and skills to face the stress of Miami's increasing vulnerability to storms.
International Rivers funded gender-inclusive tools for activism and research to help decision-makers understand the unique role of women as river stewards.
The Louisiana Bucket Brigade is fighting a huge plant in St. James Parish proposed by Formosa Plastics that would become the largest new source of greenhouse gases in the United States.
Pachamama Alliance taught Ecuadorian women to plant vanilla in the shade of rainforest trees, a sustainable alternative to selling land to oil, mining and lumber industries.
The Women’s Earth & Climate Action Network supports Women for Forests, here advocating in Washington, D.C. to protect Amazonian, Congolese & Alaskan rainforests.
Women’s Environmental & Development Organization is putting money in the hands of women who are leading the fight for gender-just, community-based climate solutions.
Through grant recipient Alaska Community Action on Toxics, indigenous women are stepping up to make the critical connection between climate change and public health.
The CLEO Institute gave 200 Miami-Dade women a crash course on climate science, civics, public speaking and skills to face the stress of Miami's increasing vulnerability to storms.

1984

Choosing Circles Over Lines

Five years after VISION2020, we launched Horizon 2030, our bolder plan to make clothes in a way that has a positive impact through practices like circular design and regenerative agriculture. The work is backed by our new commitment to the Science Based Targets initiative, setting actionable goals to reduce greenhouse gas emissions in accordance with the Paris Agreement targets to limit global warming. 2020 was also the year we introduced Regenerative Wool to our line—produced by farms that make the land more resilient and increase biodiversity, it helps fight climate change.

1984

Back to Simple

In response to COVID-19 and its impact on the industry, Eileen doubled down on her original vision of simplicity, refocusing the line as a system of simple shapes that work together simply and provide options for every body. Each piece has a purpose.

1984

Some Things Change

As of 2021, we had 700+ employees, 61 stores and were carried in more than 300 department stores. This was the year we extended our line to more inclusive sizing, making every design available in sizes XXS-3X.

1984

Our Principles Remain the Same

We’ve come a long way in four decades, but our design principles are still rooted right where they began in 1984.